collaboration with ayse

8 04 2018

i met up with my friend ayse recently to talk about doing some more work together, and this got me reminiscing about our previous collaborations. so i thought i’d share some documents of this.

when i first contacted ayse, it was after coming across some of her performances around the theme of migration. her dance moves reminded me of energy practices like qi gong or tai chi and there was a definite vibe that i could relate to. very quickly, we found out that we had some common interests and that our practice of mindfulness, meditation as approach and creative output was highly compatible.

so merging the themes of our respective work, we spontaneously and very rapidly took this experimental work to the public.

the first instance, particularly, was visually stunning.

the communication during the performance, listening and close connection really worked.

and i was really amazed by the resulting painting created by ayse’s moves across the canvas.

the contents and ideas behind this project really work together on such an essential level, with the movement leaving a visible mark as metaphor for the deeply transforming experience of migrating to another country and culture.

the sounds, at times harsh and jarring, at time lyrical, converse closely with the other layers on the work. gradually, i started to introduce repetitive patterns played over time using circular breathing and this helped introduce a rhythm and pace for the movements, and allowed us to get deeper into the zone.

we had several practice sessions since then, and the underlying understanding and spiritual connection is of course very present.

this is something rather rare. and i am very keen on continuing this collaboration, whatever form it may take.

ayse has been writing about our project on her blog. check out her comments here.

below are a couple of videos taken of our performances. the recording is a bit rough, but still a good document of the very beginning of this collaboration.





dovecote tunnel [ged barry and hervé perez]

2 10 2017

titled point line and surface, those three videos explore the architecture and resonance of Dovecote tunnel in a very impressionistic way. Using extended techniques and an architectural approach to harmony, the physics of sound waves inside a resonant chamber, the duo retains a great sense of melodic development while exploring structures at times abstract, and harmonic.

following on our exploration of a wet and drippy thor’s cave, we continued down the valley onto another of my favourite spots. i must say playing music in a tunnel is a bit weird, but this place has got the most amazing resonance. with a very strong character and pronounced resonant frequency, this tunnel will bend notes and blend overtones in the most surprising way.

expect beatings, saturating space and long tones…

 

this recording is the document of their very first encounter as a duo with the special acoustics of the tunnel.
01 august 2017

ged barry – tenor saxophone
hervé perez – alto saxophone

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full audio





thor’s cave [ged barry and hervé perez]

16 09 2017

flashes of lightning

amongst the crashes and flashes of a raging storm, and in torrential rain, the duo was born as ged barry and hervé perez arrived at thor’s cave with saxes.
this recording is the document of their very first encounter as a duo with the special acoustics of the cave.
01 august 2017

ged barry – tenor saxophone
hervé perez – alto saxophone

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full audio





French summer festival and more gigs

14 10 2015

Following on from the previous post featuring sets of live improvisation in Jazz à Luz, here are another few videos shot during the summer i spent in the south of France.

I was invited to participate during the first edition of Festival La Poutre, near Toulouse. Short but sweet, crammed with brilliant acts and musicians, this very friendly and laidback event was like a bowl of fresh air. Of course, many interesting exchanges ensued. below is a couple of documents of a meeting with trumpet player and artist Rodriguez Walkind.

 

Festival La Poutre – the deck

 

Festival La Poutre – in the trees

 

These videos are made up of whatever footage i had. a lot of it is not sync, to make up for the gaps… still, a cool document of a significant first encounter.

 

The following videos have better footage and were filmed through two sets at the Pizzeria Bellefort in Toulouse where they have a regular programme of improvisation.

Cool wine cellar and free pizza, we had a real blast playing there. Heddy surprised us by inviting the brilliant flautist from Amsterdam Mark Alban Lotz to join mr Boubaker on bass, Guy Bayssac on drums and myself on alto.

i am very pleased to have played with such an amazing bunch. great times…

 

 

the first set was a duo with guy bayssac aka ‘canard’. such a pleasure to meet again.

 

 

as usual, the audio from all the above videos, and much more, is available from my website. see the improv section for various collaborations:

 www.spacers.lowtech.org/herve

 

there is more footage coming this way with guy bayssac and another surprise guest shot in café burgaud. so keep your eyes peeled or head for my vimeo page…





Private Art Exposé

15 11 2014

First event of a new cross-platform collaboration. A unique blend of sound, movement and painting.

The collaboration evolved out of a conversation on deep listening. What attracted me to Ayse’s work is that the focus is not the work itself, the product, but rather the approach and process involved.

The movements are as much dance as they are martial arts forms. And indeed, the mind frame is inevitably one of mindfulness, which for me is central to improvisation.

Similarly, the painting is not so much a desire to create visual art but instead it is merely a mark, a trace left by movements. This really is going back to the root and original purpose of art, starting with the first cave paintings that were just this: leaving a mark.

So, it seems to me that everything is this work is essential. We never discussed any intention. Or aesthetic. Certainly not a desire to produce a commodity. The final work is simply a pure expression of being – in the moment. What is left is a documentation of what happened. The trail of our journey. Traces of our passage.

Private Art Exposé 08 October 2014
Ayşegül Balköse – dance and painting
Hervé Perez – alto saxophone
live improvisation in the old science school, sheffield

Thanks a lot to our hosts and friends…

Private Art Exposé from hervé perez on Vimeo.

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collaboration with joe formanek

22 08 2014

i have been working with drummer extraordinaire joe formanek for a while. the collaboration started as file sharing when joe sent me a series of sketches for which i recorded saxophone and did some processing. joe then reworked the compositions and arrangements and did a series of really cool tracks.

you can hear some examples here:

 

 

more recently, we met in person and recorded extensively over a week. we have a lot of material to work through and we are very excited by the results. meeting was very constructive and playing was easy from the start. joe is a great drummer and improviser and we just seemed to be on the same wavelength. sure enough, some of this work will surface on the net soon.

to finish beautifully this period of creation, we paid a visit to the elm collective down in bristol. we had a few recording sessions there and played a concert organised by ‘uberphonic presents’.

luckily, james (from elm records) very kindly filmed sections of our duo with joe. and with the camera joe had set up, we ended up with a good documentation of the event. so here are some edits from the duo. the sound is a bit rough, but you’ll get a pretty good idea of how it went down…

enjoy joe’s project ‘mirror shards’ with hervé perez on alto sax and joe formanek on drumset and live processing.

 

part 1

joe formanek and hervé perez live – mirror shards pt1 from hervé perez on Vimeo.

 

part 2

joe formanek and hervé perez live – mirror shards pt2 from hervé perez on Vimeo.

Hervé Perez (alto sax) with Joe Formanek (drums, electronics).
Uberphonic Presents this concert series at the Golden Lion, Bristol, 06 august 2014

 

you can hear the whole concert here:

 

 

thanks to james for the warm welcome and the elm collective for great music and setting up this gig for us.





sound and image

21 08 2014

here are some videos i made to go with saxophone recordings. i wanted to explore natural elements and landscapes, some of the things that inspire my playing and sound design. but in this case, the audio i used is completely acoustic using natural reverb. these are from my series sounding out.

some of the footage is slowed down to achieve a contemplative mood, to the extent that one is unsure whether it is a still or a moving image. on another piece, i layered water footage, experimenting with various combinations, with the idea of echoing the multiphonic techniques of the saxophone – nearly representing a visual interpretation of what sound could look like.

once again, the video pieces were edited separately and then sound (which was recorded previously) added to it. there is no intention to cut images to sound like a music video. the interaction between the two is down to chance and may appear random, if there is such a thing. however, i find such chance ‘encounters’ – moments of convergence and synchronicity – fascinating. but in the end, when bringing water and sound together, both waves, there is little risk. perhaps the mind searches for connections, recognisable patterns. and perhaps the result just happens to work…

 

 

sweet solitude [sounding out ilam church] from hervé perez on Vimeo.

 

setting sun [sounding out ilam church] from hervé perez on Vimeo.

 

wind over bealach [sounding out clachan church] from hervé perez on Vimeo.

 

 





Graphic Ships at DUMBO Arts Fest 2013

31 12 2013

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live improvisation at the New-York DUMBO Arts Festival, Sept. 29th, 2013

with

Lisa Lee (graphic design),
jesse ricke (guitar),
Emilie (violin & voice)
scott wollschleger (guitar),

online musicians:
andré D (bass),
alex cutterridge (laptop) and
hervé perez (laptop, sax)

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documentation of a live improvisation on Sept. 28th, 2013 at the New-York DUMBO Arts Festival

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the project

A creative means for a mediated journey, built from interactions between audience and performer, to achieve a synchronous audio expedition via an interactive visual vehicle. Artists will perform from locations throughout the Western hemisphere for an audience in New York, improvising off an ever changing graphic score generated by the presence of audience members. The audience will be free to move about the venue, their positions and movements interpreted as phrases for the score displayed as a 245 square foot projection.

Jesse Ricke is a media practitioner working in video, audio, and music, with an expertise in venue operation and event documentation. His political and social interests have lead him to internships with One Laptop Per Child in Peru, working with children in developing areas, The Groundswell Collective in the US, and his current position as technician for the new media non-profit studio CultureHub. His musical experience includes jazz studies at Florida International University and work in signed and independent groups.

Lisa Lee is an interaction designer and multimedia artist. Lisa had been working as a web designer with International Community Radio Taipei (ICRT) and with the digital advertising agencies Kehch Creative Inc. and Bremen Digital Creative on campaigns for BMW, MINI, Benz, Nike, Levi’s, M&M’s, Dove, and others. She holds a BFA in Commercial Design from Chun Yuan Christian University in Taiwan and received her MFA in Design and Technology at Parsons The New School for Design in 2012. She currently lives in Brooklyn, New York.

 

http://www.lisaleeishan.com/portfolio/graphic-ships/





Megapolis festival, New York

21 04 2013

graphic ships to sonic shores

with jesse ricke (guitar), scott wollschleger (guitar), and mike (guitar)
online musicians:
andré D (bass), frank wilke (trumpet, trombone) and hervé perez (laptop, soprano sax)

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live improvisation at the megapolis festival, new york, 20 april 2013

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hear the performance here

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the performance took place in the CultureHub studio in New York with some performers present in the space. others were performing from Germany, France and the UK. the audience presence in the studio triggered graphics (generated by lisa lee using a live video feed and max-msp) which were projected and served as graphic score for the music.

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graphic score triggered by audience
graphic score
graphic score with musician
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Long distance rehearsal for the Megapolis festival here

This live session was produced with a call conference software named “Scopia”.

Jesse Ricke – guitar,effects (live from U.S.A)
Hervé Perez – electronics, sax, shakuhachi (live from U.K)
Frank Wilke – horns (live from Germany)
André D. – bass (w/ebow+objects), archo eub (live from France)

recorded March 17th, 2013.

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the project

Graphic Ships to Sonic Shores – Jesse Ricke + Lisa Lee
A creative means for a mediated journey, built from interactions between audience and performer, to achieve a synchronous audio expedition via an interactive visual vehicle. Artists will perform from locations throughout the Western hemisphere for an audience at CultureHub in New York, improvising off an ever changing graphic score generated by the presence of audience members. The audience will be free to move about the venue, their positions and movements interpreted as phrases for the score displayed as a 245 square foot projection. Artists will include André D. of France, Hervé Perez of the UK, Frank Wilke of Germany.

Jesse Ricke is a media practitioner working in video, audio, and music, with an expertise in venue operation and event documentation. His political and social interests have lead him to internships with One Laptop Per Child in Peru, working with children in developing areas, The Groundswell Collective in the US, and his current position as technician for the new media non-profit studio CultureHub. His musical experience includes jazz studies at Florida International University and work in signed and independent groups.

Lisa Lee is an interaction designer and multimedia artist. Lisa had been working as a web designer with International Community Radio Taipei (ICRT) and with the digital advertising agencies Kehch Creative Inc. and Bremen Digital Creative on campaigns for BMW, MINI, Benz, Nike, Levi’s, M&M’s, Dove, and others. She holds a BFA in Commercial Design from Chun Yuan Christian University in Taiwan and received her MFA in Design and Technology at Parsons The New School for Design in 2012. She currently lives in Brooklyn, New York.





kipple live at mopomoso

24 02 2013

kipple is the unique free jazz sextet i play with. the unusual instrumentation features two strong electronics section alongside guitar to provide both harmonic, textural and noise dimensions to the music. and as well as drums, we have two other acoustic players on trumpet and soprano sax.

we play with a surprising range of dynamics from full on free jazz to minimal noise improv and out of nowhere, a slow melody may appear and take you to ballad cloud-land… to then slap you straight back to contemporary weirdness and dissonant multiphonia…

it’s a rollercoaster of a journey and it won’t leave you any minute to catch your breath.

of course, music is best experienced live… but john russell at mopomoso is kindly documenting all his events, so here are some cool videos from london’s vortex.

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Ian Simpson (electronics), Derek Saw (trumpet/flugelhorn), Shaun Blezard (electronics), Hervé Perez (soprano saxophone), John Jasnoch (guitars) & Charlie Collins (drums/percussion) at Mopomoso free improvisation night. Filmed by Kostas Chondros at the Vortex, London, on 17 February 2013.

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Kipple is a word coined by the remarkable science fiction writer Philip K. Dick. It refers to the sinister type of rubbish which simply builds up without any human intervention. Eventually, one day, the entire world will have moved to a state of kipplization

From Phil Dick’s “Do Androids Dream of Electric Sheep?”

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Kipple combines the momentum of ESP era free jazz with a 2 man low fi electronics section in place of the piano. The rhythm section is that used by Sonny Simmons on his UK gigs. The free blowing trumpet/soprano sax front line manages to be intense and relaxed at the same time.

(Phil Morton, Frakture, 2011)

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Download @ The Internet Archive :: Direct Download :: Listen @ The Internet Archive

Released by Electronic Musik

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Download @ The Internet Archive :: Direct Download :: Listen @ The Internet Archive

Released by Electronic Musik